Fredrik Lerneryd Captures Beauty & Ballet Magic Of Mike Wamaya's Kibera Dance School

Fredrik Lerneryd Captures Beauty & Ballet Magic Of Mike Wamaya's Kibera Dance School

"The sun rose in Kibera this morning, and it rose in my world, too, with my rapture over these Fredrik Lerneryd images of ballet dancers in the Kibera neighborhood of Nairobi. They are my best Christmas gift.

Anne of Carversville has a long psychological, emotional and now functional relationship with Kibera. Initially, my lovefest with the largest slum in Africa was triggered by JR's famous 'Women Are Heroes' project, with Kibera being one of the four slums featured in his everyday examination of the beauty and heroic female efforts worldwide. Over time I pieced together collection of intimate and deeply personal connections to Kibera through my muse Dan Eldon.  The functional dimension of AOC's connection to Kibera is GLAMTRIBALE's support of The Kibera School for Girls, with 5% of revenues. Another 5% is earmarked for elephant conservation.

The dancers photographed by Fredrik Lerneryd learn dance through a program run by UK-based charity Anno's Africa, which provides alternative arts education to over 800 children in Kenya. "

Tributes Continue For The Remarkable Editrix Franca Sozzani | Steven Meisel's 2005 'Hollywood Life'

The tributes to Vogue Italia Editor-in-Chief Franca Sozzani, who died of lung cancer last Thursday. continue to resonate. W's Stefano Tonchi shares his thoughts on the truly remarkable Sozzani.

Franca was assertive, with a directness that was born of the strength of her convictions. She was loud and clear when she talked; you didn’t second-guess her. She did not tolerate bullshit, but she loved to listen to ideas. She was also very good at managing talented photographers and stylists—which is both an incredible honor and incredibly frustrating—to allow them to do their best work. Italian Vogue had a tradition of working with important photographers like Helmut Newton, but there was always this sense of control. When she got there, she let the photographers take over.

The many admirers of France Sozzani have references her most notorious editorials and issues devoted to a single message. I wrote at length about America's PC fashionistas and self-appointed culture critics who were besides themselves with ire over Meisel's 'Water & Oil' editorial that put fashion within the values context of the BP oil spill. Simply stated, the Americanas couldn't get beyond step one of taking the editorial literally. I imagine France Sozzani took a deep sigh over that fiasco, when the editorial so concretely and without ambiguity was focused on environmentalism and a commentary on the irrelevance of fashion in a world where nature is suffocating in tar sands. .

Related: Remembering Franca Sozzani: A Worldview That Mattered by Vanessa Friedman of New York Times

Another major fashion adventure between Franca Sozzani and Steven Meisel was Linda Evangelista's 'Hollywood Life', published in 2005 as a social commentary on the need to be a woman with a young face in Hollywood. As always Sozzani was daring in her willingness to pursue ugliness (the procedures) in an American-values world that celebrates California girl youth and perfection. Sozzani was far more captivated by personality and presence, than beauty.

Linda Evangelista By Steven Meisel In 'Hollywood Life' For Vogue Italia July 2005 AOC Body Beat

George Michaels' 'Freedom': Christy, Cindy, Linda, Naomi and Tatjana Reflect On Making The Video

Christy, Linda, Naomi, Cindy & Tatjana by Peter Lindbergh for Vogue Australia As 'Supernova'

Last year celebrated the 25th anniversary of George Michael's 1990 music video 'Freedom!', an anthem for women, LGBTQ people, women and men of color, and hundreds of kindred spirits everywhere who were trying to establish their own identities against the patriarchal, monotheistic, global norms confining us in their medicine-bottle vision of appropriate behaviors and self-identiites. 

George Michaels threw a sledge hammer into that power structure metaphorically -- if not actually -- with his 'Freedom' video and lyrics. As The Republican War on Women and many more -- based on its Godly, male-centric vision for America -- rolls into Washington, led by their new God Donald Trump --  we revisit 'Freedom' a day after progressive spirits are crushed by the death of George Michaels at 53.  In a year when we've lost some of our best -- Bowie, and Prince come to mind, and now Michaels, our loss isn't only about talent but rather critical messaging and philosophy. 

Last year, Harper's Bazaar asked the fabulous 5 -- Naomi Campbell, Christy Turlington, Linda Evangelista, Cindy Crawford and Tatjana Patitz -- who made the 'Freedom' video to reflect back on that day. 

Naomi Campbell

"I came to the set on the first day they were shooting. On my god, it was crazy! It was during the fashion collections, so I came straight from Paris, and I'd done 4 or 5 shows the day before and we finished at 2 o'clock in the morning. They didn't have the Eurostar then, so I took the 6 o'clock train to London and then went to the airport. I didn't sleep -- I went from the plane to the shower to the set. I was up all night working to work all night again! But it was great. I love George Michael, and I love all the girls who were in it, and the director, David Fincher, is a great filmmaker."

Tatjana Patitz

"All the models and I knew George Michael -- I think I had done a photo shoot with him at some point before. His manager contacted my agent to see if I could do the video. George wasn't in it -- he wasn't even on the set when I was there. David Fincher directed it, which was so exciting even then because he had already done one of Madonna's. 

Linda Evangelista

"25 years later, this video -- and not my magazine covers -- is what people mention the most when they approach me on the street. It's pretty incredible."

Christy Turlington

"It was a whirlwind. I flew in from LA and drove straight to the set, so I was pretty delirious. Each of us filmed for a day on our own, except Linda and I overlapped on the last day because we had a scene together. They were long days. I don't recall any specific direction from David Fincher. He was focused on the lighting I recall. George was there the whole time."

Cindy Crawford

"I remember them sending me a Walkman so I could learn the words before I got to set. The studio was huge and dark and smoky. Someone explained to me that my first shot would be in a bathtub. They oiled me up and put me in an empty tub with a smoke machine to look like steam. I had to sit on an apple crate because you couldn't see me over the edge of the tub. My second shot was sitting on a chair with a towel on my head, and I kept thinking my part wasn't going to be that sexy. I watched the video recently, as I wanted to write about the whole supermodel phenomenon in my new book, 'Becoming', and my kids were like, "Hey, we know that song!" I think it stands the test of time and still looks amazing today. I like how David Fincher saw something different in each of us and tried to bring that out in the video."

As Trump Readies Planned Parenthood Rodeo, Half of Trump Voters Support Funding & Expect Him To Stand Down

As Trump Readies Planned Parenthood Rodeo, Half of Trump Voters Support Funding & Expect Him To Stand Down

Planned Parenthood is sending a message to Donald Trump and the Republicans: They will defund us "At Their Peril". 

In a shocking-to-many new study by Harvard's School for Public Health, almost half of Trump supporters are against cutting all federal funds to Planned Parenthood. Add Clinton voters with 70% wanting continued federal funding for PP and it's clear that making defunding Planned Parenthood a top priority could be perilous for Republicans. 

The primarily women's health-care provider followed up on the study results with focus groups this month with Trump voters in Arizona, Pennsylvania, Nevada, and Wisconsin, writes Vogue. Many men had a lot to say. Dawn Laguens, executive vice president and chief brand officer of the Planned Parenthood Action Fund (PPAF) explained the essential nature of Planned Parenthood clinics in rural, medically underserved regions, including those in key Trump-supporting states. 

Tony Gum Creates 'Mercurial Aesthetic' Free of Racial, Cultural Or Sexual Oppression

Tony Gum Creates 'Mercurial Aesthetic' Free of Racial, Cultural Or Sexual Oppression

Women artists were more obvious in this year's Art Basel in Miami, and especially at PULSE Miami Beach.

At Christopher Moller Gallery, young Capetown artist Tony Gum, born Zipho Gum, was such a smash in New York March 2016 and then Art Basel Miami December 2016, that she was just named in ArtNet's 14 Emerging Women Artists to Watch in 2017.

Vogue called Tony Gum "the coolest girl in Cape Town", based on her tightly curated Instagram feed. Her Instagram becomes a gallery to communicate with corporate brands like Coca-Cola and Adidas about issues of race, women, pop culture and art through the lens of her own penetrating, clear-eyed, articulate and sophisticated vision.

Revisiting 'Water & Oil': One of Franca Sozzani & Steven Meisel's Most Provocative Collaborations

Revisiting 'Water & Oil': One of Franca Sozzani & Steven Meisel's Most Provocative Collaborations

The fashion world is grieving the death of Franca Sozzani, Editor-in-Chief of Vogue Italia. Sozzani created the most activist and in-your-face political statements in Vogue Italia.  Not all fashionistas appreciated her activist voice. Sozzani's infamous Italian Vogue editorial 'Water & Oil', September 2010 photographed by Steven Meisel is among her most controversial. Sozzani was making a political statement about the BP oil spill.

In honor of Franca Sozzani, we republish that editorial featuring Kristen McMenamy in much-expanded image sizes but with the original commentary. In moving AOC from Squarespace V5 to V7 a year ago, none of the comments transferred with the original articles. But I recall that the arguments were fierce! ~ Anne

{Written Aug. 7, 2010}: "Italian Vogue’s Kristen McMenamy oil-spill environmental disaster photos have created a firestorm of controversy about the motives of the magazine and whether or not the fashion shoot is in ‘poor taste’.

I’ve read endless comments from presumably American readers, and they are generally negative about the Italian Vogue Sept 2010 BP oil spill photos.

Comments are that the photos are tasteless, trivialize the events in the gulf to the point of mockery and represent a big-businesses attempt to exploit the tragedy. In the case of Italian Vogue and Kristen McMenamy, the big-business bad guy is Conde Nast, not BP.

From my perspective, I fail to see how these photos glamorize the BP Gulf oil disaster. They are disturbing, provocative and dreadfully ugly." Read on

'Nasty Woman' T-Shirt Raises Over $100,000 In Trump's Name For Planned Parenthood

As the Donald Trump Administration launches its full-frontal assault on American women (you know, grab 'em by our pu#sies so we know who is boss), Katy Perry steps up to the plate reminding us that 'nasty women' get shit done.

After Donald Trump called Hillary Clinton a 'nasty woman' during October's third presidential debate, the Internet and Twitter immediately claimed the term as a rallying call for women worldwide. The Cut reports that even today, the 'Nasty Woman' merchandise is flying off shelves shows no sign of slowing down.

The most successful item to date is Google Ghost's 'Nasty Woman' t-shirt, which donates half of proceeds from shirt revenue directly to Planned Parenthood and in Trump's name. The donation to date is $100,165 for Planned Parenthood.

If you are ready to rally for 'Nasty Women' worldwide, join us at the Washington DC Women's March on January 21 or at marches in your local community. See Women's March on Washington FB page.

Related: With regard to top Hillary supporter Lena Dunham's 'Distasteful Joke' about abortion, we can only say: with friends like her, who needs enemies. Thanks Lena for fueling every dirty, rotten image of feminism worldwide. Talk about East Coast, liberal narcissism that damages dirt poor women in Texas. Just yesterday, Texas -- which lost its big case to derail abortion and contraception rights in Texas -- moved again to block Medicaid funds from going to Planned Parenthood for any reason.

American Ballet Theatre's Misty Copeland Returns To Cuba As Cultural Ambassador

“It’s a great honor to be here,” Misty Copeland, the first Afro-American ballerina of the American Ballet Theatre (ABT), said in the venue of the National Ballet of Cuba (BNC). Copeland joined a group of U.S. personalities of culture, sports and the performing arts for a mid-November 2016 arrival in Cuba, after the renewal of diplomatic relations between both nations.

Misty Copeland is not the first figure of the ABT to come to the island, where cultural exchanges have been permitted for years. She was preceded by Cynthia Gregory, Ted Kivitt, Eleonor D’Antuono, Cynthia Harvey and other dancers. On Cuba reports on the decades long collaboration between American Ballet Theatre and the National Ballet of Cuba.

Misty Copeland Covers Self December 2017

Misty Copeland Is 'Misty On Pointe' As Self Magazine Prepares To Close Its Print Publication AOC Body

Misty Copeland Is 'Misty On Pointe' in Self Magazine's December issue. Self's February 2017 issue represents the last print issue of the women's health, wellness and fitness publication. With the exception of special issues devoted to core topics important to readers, Self will move to a strictly digital platform, facing the reality that its print advertising pages were down 32% through October.

Related: Misty Copeland Is Promoted to Principal Dancer at American Ballet Theatre in AOC Women In-Depth -- includes 60 Minutes Interview and multiple Copeland articles.

Read Misty Copeland's interview with Self.

AOC in Cuba

Jennifer Lawrence Talks Clinton Politics & America's Future On Good Morning America

Jennifer Lawrence Is Lensed by Ben Hassett In 'Extra Terrestre' For Yo Dona December 2016

Top actor Jennifer Lawrence spoke out Monday morning about her post Trump-election mindset. "I didn't mean to speak to only people who voted for Hillary ," Lawrence told Micael Strahan on 'Good Morning America.' "I meant to just speak to the divide . . . for any presidential candidate, being very extreme is scary, left or right."

The 'Passengers' actor made headlines post-November election, when she penned an essay for Broadly Don't Be Afraid, Be Loud: Jennifer Lawrence on What We Do Next.

Do not let this defeat you--let this enrage you!

Politics Daily: Trump & Treason | Did Silicon Valley Create Donald Trump?

Silicon Valley Meets Its Biggest Creation: Donald Trump Vanity Fair

For years, Facebook’s headquarters in Menlo Park featured a rectangular sign that reflected the ambition and spirit of Mark Zuckerberg and his legions of dedicated employees. It read, in bold, red lettering, “Move Fast and Break Things.” Twitter had a similar poster that hung in its San Francisco office, noting “Let’s Make Better Mistakes Tomorrow.” These mantras aren’t an anomaly in Silicon Valley’s playground-like campuses. Cubicles, hallways, cafeterias, and meeting rooms are festooned with Rockne-esque white-board-style slogans such as “Done Is Better Than Perfect” or “Fortune Favors the Bold,” or “Don’t Bury Your Failures, Let Them Inspire You.”

These maxims have their value, and they have helped inspire a wealth-generation machine unlike any other in human history. But moving too fast can come with consequences, especially when the mantra is heeded by young people who are often still in their 20s and 30s. In fact, the tech industry’s adherence to an ideology of rapid acceleration helps explain why America finds itself in its current predicament, with hackers reportedly involved in swaying our election and a growing acceptance of xenophobia spreading across the nation. Perhaps many of the people who convened at Trump Tower were so focused on those mottos that they did not realize an outcome they might create.

Donald Trump raises specter of treason The Boston Globe

In a damning op-ed John Shattuck lays out the particulars of a treasonous act against the American government and Trump's refusal to buy into the conclusions of America's intelligence agencies that Russia interfered with the American election.

The federal crime of treason is committed by a person “owing allegiance to the United States who . . . adheres to their enemies, giving them aid or comfort,” and misprision of treason is committed by a person “having knowledge of the commission of any treason [who] conceals and does not disclose” the crime. By denigrating or seeking to prevent an investigation of the Russian cyberattack Trump is giving aid or comfort to an enemy of the United States, a crime that is enhanced if the fourth explanation applies — that he is in fact seeking to cover up his staff’s or his own involvement in or prior knowledge of the attack.

ExxonMobil helped defeat Russia sanctions bill Politico

ExxonMobil successfully lobbied against the STAND for Ukraine Act, a bill that would have converted into law for five years President Obama's punishing measures against Russia for annexing Crimea. With the Senate refusing to act on the bill, proposed Secy of State Rex Tillerson is posed to roll back sanctions and relaunch a deal he made with Russia that is worth a staggering amount of money to ExxonMobile and Putin himself.

More reading:

Donald Trump and the Rise of Alt-Reality Media Politico Magazine

The Donald Trump Appointment Tracker Marie Claire