Hiandra Martinez Stars In 'The Tide Is High' Lensed By Dario Catellani For WSJ Magazine June/July 2019

Hiandra Martinez Stars In 'The Tide Is High' Lensed By Dario Catellani For WSJ Magazine June/July 2019

Hiandra Martinez is styled by George Cortina in ‘The Tide Is High’, extravagant black widow looks befitting a sea siren. Photographer Dario Catellani captures Hiandra for WSJ Magazine June/July 2019./ Hair by Bob Recine; makeup by Dick Page

Sasha Pivovarova Is Lensed By Dario Catellani In 'Overhead' For Vogue Italia November 2018

Top model Sasha Pivovarova makes black magic, styled by George Cortina in sheer, fluid femininity in ‘Overhead’. Photographer Dario Catellani is behind the lens for Vogue Italia November 2018./ Hair by Shay Ashual; makeup by Dick Page

Dario Catellani Captures Mariacarla Boscono For Vogue Italia October 2018

Top model Mariacarla Boscono is styled by Vittoria Cerciello in ‘Oggi Sono lo’, lensed by Dario Catellani for Vogue Italia October 2018./ Makeup by Gemma Smith-Edhouse; hair by Kei Terada

Shanelle Nyasiase Soars High In 'Desert Rose' By Dario Catellani For WSJ Magazine May 2018

Ethiopia-born, South Sudan and Kenya-raised, Nairobi-based model Shanelle Nyasiase is spending more time on airplanes and less time in Kenya, as she lands another spectacular series of images, following her Alexander McQueen ad campaign. 

Nyasiase stars in WSJ Magazine's May 2018 couture story 'Desert Rose'. George Cortina styles the 21-year-old for vibrant, goddess images by Dario Catellani./ Hair by Marki; makeup by Dick Page

Frederikke Sofie Catches A Fresh Breeze In Dario Catellani Images For Vogue Italia September 2017

Frederikke Sofie Catches A Fresh Breeze In Dario Catellani Images For Vogue Italia September 2017

Model Frederikke Sofie knows the long-lost fresh smell of laundry hung out to dry in 'Quando tira il vento' (when the wind blows), contrasting monochromatic brights styled by Vittoria Cerciello with a pure white backdrop. Dario Catellani captures the fashion breeze for Vogue Italia September 2017./ Hair by Marki Shkreli; makeup by Emi Kaneko

Malgosia Bela Fronts 'Strike a Match' Lensed By Dario Catellani For Vogue UK August 2017

Malgosia Bela Fronts 'Strike a Match' Lensed By Dario Catellani For Vogue UK August 2017

Top model Malgosia Bela wears flaming red ensembles, doused with neutrals in 'Strike a Match', styled by Verity Parker. Photographer Dario Catellani is behind the lens for Vogue UK August 2017./ Makeup by Lynsey Alexander; hair by Cyndia Harvey

Eye | Lifetime's Whitney Houston Biopic | Hollywood & Gaza | Cindy Crawford On Why Supermodels Happened

Angela Bassett Directs Whitney Houston Biopic

Lifetime TV premiered on Saturday January 17 ‘Whitney’ with ‘The Butler’ alum Yaya DeCosta as Houston, directed by Houston’s ‘Waiting to Exhale’ costar Angela Bassett in her directorial debut.

Elle.com interviews Angela Bassett about her relationship with Whitney Houston and the pressures on her to deliver a film true to Whitney’s life and spirit, while maintaining the truth about the superstar’s demise and death.

Cindy Crawford On Why The Supermodels Happened

‘I feel like I lived through the heyday of modelling,’ true supermodel Cindy Crawford told London’s Evening Standard in ‘It’s not so super for models now … magazines want stars on their covers’.

Crawford explains: The reason supermodels could come into being was because Hollywood actresses wanted to be taken seriously. They didn’t want the red carpet to be a catwalk, which it has now become.

Crawford and husband Randy Gerber are good friends with George and Amal Clooney, being in the tightest circle around the couple at their Venice wedding last September. The supermom of two explained:

 “I think George decided — and Amal, too — which I thought was smart of them, typically, that either you spend all this time and energy trying to make it secret or you go, ‘You know what? We’re getting married in Venice and we’re going to have this great party and we’re going to do exactly what we want.’

“So that’s what they did and I really respect them for it.”

NY Post Andrea Peyser Jabs At Amal Clooney

It wasn’t only the row over Amal Clooney’s Golden Globes white gloves that made headlines this week. Rupert Murdoch’s New York Post columnist Andrea Peyser moved against the influential human rights lawyer over her proposed role on a three-person commission investigating rules of war violations in the Gaza Strip.

It wasn’t enough that — for whatever reason — Amal Clooney cited a too busy schedule to allow her participation — a point not clarified at the Golden Globes podium.

Could the reason be the possibility of her future husband running for political office? Whatever the reason, declining was not enough for Peyser, who criticized Amal for the following statement:

“I am horrified by the situation in the occupied Gaza Strip, particularly the civilian casualties that have been caused, and strongly believe that there should be an independent investigation and accountability for crimes that have been committed.”

AOC hates to tell Peyser that many Americans are concerned about what happened in Gaza in the summer of 2014. Israeli actions in Gaza produced a significant split in Hollywood, with actors and industry notables expressing the same concerns as highlighted by Amal Clooney.

Hollywood’s Concerns for Gaza

Javier Bardem and Penélope Cruz have been heavily criticised by some Hollywood industry figures after speaking out against the summer 2014 Israeli offensive in Gaza.

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