Max Mara Creative Director Ian Griffiths Talks Judy Chicago + Bad-Ass Successful Women

/

Eye: Max Mara Creative Director Ian Griffiths Talks Judy Chicago + Bad-Ass Successful Women

“I’ve been described as the most influential designer you’ve never heard of,” Ian Griffiths , Creative Director of Max Mara for 31 years told Harper’s Bazaar Australia in an interview published online December 9. Griffiths’ anonymity was about to be blown, when US House of Representatives Minority Leader Nancy Pelosi — soon to be Madame Speaker again — wore her 2013 brick red Max Mara coat to a December 11 budget-funding showdown at the White House.

Hours later, Pelosi and her ‘Fire Coat’ were total bad-ass legend as big names clamored to know where to buy her coat. Griffiths stepped out of the shadows to talk his vision for confident, powerful women to Pelosi’s posse. His comments in the Harper’s interview echo the sentiments he expressed in announcing that Pelosi’s coat was headed back to stores in the next collection.

On December 4, Griffiths further defined the Max Mara woman as “successful. She’s made it on her own terms and she wants to be taken seriously.” Those words certainly describe Nancy Pelosi. The designer talked with Town & Country about Max Mara’s collab with Judy Chicago, and their release of a tee shirt to promote the artist’s major retrospective at the ICA Miami.

“As a long standing feminist artist who has found a powerful voice, Judy is the ideal partner for Max Mara—the collaboration is a reminder that classic does not mean conservative.”

One of her seminal pieces, ‘Bigamy Hood’, a painted car hood, served as inspiration for the t-shirt collab with Max Mara. Chicago described the collaboration as “an exciting challenge that required a considerable amount of time, creativity, and drawings.” The resulting design is what Griffiths calls “iconic Judy Chicago” but in a “classic Max Mara palette,” meaning a wearable, but still playfully radical t-shirt. “It underlines the brand’s commitment to the empowerment of women,” Griffiths says.

‘Bigamy Hood’ by Judy Chicago

ICA Miami Announces 'Judy Chicago: A Reckoning' Major Survey Of Her Feminist Art

/

"RAINBOW SHABBAT" (1992) IS THE CONCLUDING IMAGE IN "THE HOLOCAUST PROJECT: FROM DARKNESS INTO LIGHT," A TRAVELING EXHIBITION THAT CHICAGO CREATED IN COLLABORATION WITH HER HUSBAND, THE PHOTOGRAPHER DONALD WOODMAN. 

The Institute of Contemporary Art Miami will host a survey exhibition featuring the work of pioneering and prominent feminist artist Judy Chicago, in time for Art Basel in Miami Beach. 

Opening in early December 2018, 'Judy Chicago: A Reckoning' is organized around six major bodies of Chicago's work, including test plates created for 'The Dinner Party, her masterwork permanently installed at The Brooklyn Museum, writes artnet. 

“For many years, as gratified as I am for all the attention 'The Dinner Party' garnered, it also blocked out the rest of my prodigious body of art,” Chicago told artnet News in an email. “Slowly, other aspects of my production are beginning to be seen around the world, which I am thrilled about.”

O'Keeffe To Chicago | Women's Liberty Not Won

/

O’Keeffe To Chicago | Women’s Liberty Not Won

It’s March, and the natural eroticism of the Carversville landscape is simmering gently out of Winter.

Like a woman seeing her husband speaking with a gorgeous stranger at a party, the land shivers with a renewed, thawing sensual excitement.

At moments like this, I think of Georgia O’Keeffe; she is my muse, too. I wonder how Judy Chicago is doing; it’s time to see her Dinner Party.